"'Street Spirit' is our purest song, but I didn't write it.... It wrote itself. We were just its messengers... Its biological catylysts. It's core is a complete mystery to me... It is the dark tunnel without the light at the end. It represents all tragic emotion that is so hurtful that the sound of that melody is its only definition. We all have a way of dealing with that song... It's called detachment... Especially me.. I detach my emotional radar from that song, or I couldn't play it... I'd crack. I'd break down on stage.. that's why its lyrics are just a bunch of mini-stories or visual images as opposed to a cohesive explanation of its meaning... I used images set to the music that I thought would convey the emotional entirety of the lyric and music working together... That's what's meant by all these things will one day swallow whole... I meant the emotional entirety, because I didn't have it in me to articulate the emotion... (pause) I'd crack.... Our fans are braver than I to let that song penetrate them, or maybe they don't realize what they're listening to... They don't realize that 'Street Spirit' is about staring the fucking devil right in the eyes... and knowing, no matter what the hell you do, he'll get the last laugh...and it's real... and true. The devil really will get the last laugh in all cases without exception, and if I let myself think about that to long, I'd crack. I can't believe we have fans that can deal emotionally with that song... That's why I'm convinced that they don't know what it's about. It's why we play it towards the end of our sets. It drains me, and it shakes me, and hurts like hell everytime I play it, looking out at thousands of people cheering and smiling, oblivious to the tragedy of it's meaning, like when you're going to have your dog put down and it's wagging it's tail on the way there. That's what they all look like, and it breaks my heart. I wish that song hadn't picked us as its catalysts, and so I don't claim it. It asks too much. (very long pause). I didn't write that song."
Rows of houses, all bearing down on me
I can feel their blue hands touching me
All these things into position
All these things we'll one day swallow whole
And fade out again And fade out
This machine will, will not communicate
these thoughts and this strain I am under
Be a world child form a circle before we all go under
And fade out again
Cracked eggs dead birds scream as they fight for life
I can feel death can see its beady eyes
All these things into position
All these things we'll one day swallow whole
And fade out again
Immerse your soul in Love
Thomas Edward Yorke
Sunday, April 09, 2006
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5 comments:
Adorei o comentário sobre a música. Ouvirei-a com "outros olhos" a partir deste momento.
Sendo assim, este post serviu o seu propósito final e eu só tenho que ficar feliz por tal... abração!
Esse tal Thomas deve ter a mania que é artista... :p
Emocionalmente não sinto esta musica dessa forma.
São invocadas ideias trágicas, na maior, desconcertantes mas insuficientes para nos envolver na fatalidade desse último encontro que é referido.
Continuo a ter um enorme prazer na sua audição. Talvez um prazer morbido, agora consciente. Mas confesso que não consigo sentir a violencia...sinto agonia mas não a carga pesada desses pensamentos. Não há qualquer dúvida que esta música tem vida própria; mas a maioria das musicas desta banda são assim; tem vida própria.
Agora pergunto-te, quando a cantas, sentes isso tudo?
Alcandura:
Um dos grandes prazeres que a música me traz é o facto de poder interpretar as canções à minha maneira.
Não fazia ideia de que o Street Spirit se referia a isto que o Thom Yorke diz (mas n quer dizer q tal seja verdade pq ele n é um ser lá mt normal...) mas enquanto a cantar vou sp cantá-la da forma como a sinto. Uma ode ao Amor.
O Amor nem sp prevalece (and fade out again) mas na verdade é nele que reside a maior das forças (immerse your soul in Love)...
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